13, ill., entry by Peggy Anne Fogelman. Detail of an ancient Persian relief showing a lion's head. Both the bronze and its pendant, Lion Attacking a Bull, feature a wild beast, the ferocious … cat. "Le Monastére de Brentwood." 48, entry by Anne-Lise Desmas. The evidence for this is an ivory sculpture, 31cm (12.2in) tall, depicting a hybrid creature, with a human body and a lion’s head, carved from the tusk of a mammoth 40,000 years ago. View auction details, art exhibitions and online catalogues; bid, buy and collect contemporary, impressionist or modern art, old masters, jewellery, wine, watches, prints, … Here he depicts the moment the lion sinks its teeth into the terrified horse, set against the backdrop of Creswell Crags in the Peak District. "Acquisitions/1994." Percy Moore Turner Collection; Durlacher Bros., New York (as "Landscape with Lion Attacking Horse"). Fogelman, Peggy, and Peter Fusco, with Marietta Cambareri. 7th ed. The battle between lion and horse was cast by the Florentine sculptor Giovanni Francesco Susini, from a model made by his uncle in the 1580s. Allen, 1971), fig. Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. The Lion Attacking a Horse is a resilient emblem of triumph and defeat. "Acquisitions: Sculpture." Art and Auction 17 (December 1994), p. 74. Gift of the Yale University Art Gallery Associates. (New Haven: Yale Center for British Art, 1998). 1955.27.1. 70, 76. 80. The text on this page is licensed under a, All Getty Research Institute Publications, Conservation Perspectives, The GCI Newsletter, GCI Reference Collection (for materials analysis), Research Assistance at GCI Information Center, Links to Cultural Heritage Policy Documents, Giambologna (Giovanni da Bologna or Jean de Boulogne), Jacob Pleydell-Bouverie, 8th Earl of Radnor. Review and updating of such records is ongoing. unframed: 102.2 × 127.6 cm (40 1/4 × 50 1/4 in.) Many casts of the Lion Attacking a Horse are extant; the Museum's bronze is among the highest in quality of those that survive. Modeled after the ancient Roman version found on Capitoline Hill. (43) The Lion Attacking a Horse on a low pedestal in the right center, having the flamboyant and realistic effects of a Greek marble sculpture of the Hellenistic period (ca. 1770. Object Description. 1 (Summer 2017), pp. Melikian, Souren. The giant marble, on loan through January 2013 as part of a new partnership between the Getty Museum and the civic museums of Rome, has long been an isnpiration to artists. Pl. Cynthia E Roman, Carrie Roider, and Wadsworth Atheneum Museum of Art, Canaletto to Constable: paintings of town and country from the Yale Center for British Art, exh. OPVS." The third phase shows the lion, having attacked the horse and leapt on to its back, sinking his teeth into its withers. Judy Egerton, George Stubbs, painter: catalogue raisonné (New Haven, Conn.: Yale University Press, 2007), 306–07, no. Alberge, D. "Bronzes to Secure Future of House." Beauvais Collection (England) [sold, Collection of Mr. Beauvais, March 2, 1738 or 1739, to Sir Jacob Bouverie.]. Frederick J Cummings et al., Romantic art in Britain: paintings and drawings, 1760–1860, exh. Fusco, Peter, Peggy Anne Fogelman, and Marietta Cambareri. Kenwood: Paintings in the Iveagh Bequest (New Haven: Yale University Press, 2003), pp. Giambologna's gifts as a creator of animalier bronzes were given full rein in this bronze of a Lion attacking a Horse. 44-45, no. The Lion Attacking a Dromedary diorama is a piece of 19 th century French taxidermal art. 23, entry by Peggy Fogelman. A fine 19th century Grand Tour miniature model of the Lion Attacking a Horse sculpture. 3. LONDON - JANUARY 9 2014 - An exhibit in the British Museum, London, shows a relief from circa 440BC of. 12 ([December] 1993), p. 61. Go behind the scenes with the installation of this three-and-a-half-ton Greek sculpture at the Getty Villa in Malibu. SPECIAL ADVISORY: In accordance with Yale University’s revised COVID-19 protocols, the Yale University Art Gallery is closed to the public until further notice. Katherine Neilson and Andrew Carnduff Ritchie, Selected Paintings and Sculpture from the Yale University Art Gallery (New Haven, Conn.: Yale University Press, 1972), no. ‘Lion Attacking a Horse’ was created by Giambologna in Mannerism (Late Renaissance) style. The J. Paul Getty Museum Journal 23 (1995), p. 122, no. cat. Cyril Humphris, S.A. (London), sold to the J. Paul Getty Museum, 1994. Today the 4th century BC Greek statue, Lion Attacking a Horse, ended its nine-month exhibition in the atrium of the Getty Villa. This is the first time the sculpture has been on public display since 1925 and the first time it has left Rome in 2,000 years. ), Gift of the Yale University Art Gallery Associates. cat. Terms and Conditions  Credits, Photo credit: Yale University Art Gallery, unframed: 102.2 × 127.6 cm (40 1/4 × 50 1/4 in. 395A, ill. Yale Center for British Art, Romantic vision: responses to change: November 15, 1995–January 14, 1996, Yale Center for British Art, exh. (New Haven, Conn.: Yale University Press, 2004), 116, 196, no. The Art Newspaper 34 (January 1994), p. 26. Antonio Susini (Italian, 1558 - 1624)Giovanni Francesco Susini (Italian, 1585 - 1653)Giambologna (Giovanni da Bologna or Jean de Boulogne) (Flemish, 1529 - 1608) 24 × 28 cm (9 7/16 × 11 in.) To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading. The animal group would have installed in an eye-catching location until the impressive stadium was disused after the mid-6th century AD. Sale Catalogue. 6. Sir Jacob Bouverie, 3rd Bart., 1694 - 1761 (Longford Castle, near Salisbury, Wiltshire), by inheritance to his heirs, 1761. (London: Salem House, 1984), 99, no. The massive sculpture of a Lion Attacking a Horse hasn't left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. "Repair Bills Force Sale of Statues." 49, ill. Tate Gallery, Yale Center for British Art, and United Technologies Corporation, George Stubbs, 1724–1806, exh. In Lion Attacking a Horse, the artist emphasized the brutality of the kill, using a circular composition to focus attention on the lion's claws tearing through the horse's hide. The recognition of a stream bed below the Palatine Hill as the supposed find spot has contributed to the assumption that the sculpture was on view in the Circus Maximus where theatrical hunts to wild animals besides chariot races were performed. Creative Commons Attribution 4.0 International License, International Image Interoperability Framework (IIIF), The J. Paul Getty Museum at the Getty Villa (Malibu), August 10, 2012 to May 6, 2013. Stubbs was obsessed with the subject of a lion attacking a horse, making at least seventeen works on the theme, most of which were in oil on regularly-shaped canvas. Bryant, Julius. Allen, 1971), 72. Not on view due to temporary Getty closure, or Giovanni Francesco Susini (Italian, 1585 - 1653), after models by Giambologna (Giovanni da Bologna or Jean de Boulogne) (Flemish, 1529 - 1608). cat. Both the bronze and its pendant, Lion Attacking a Bull, feature a wild beast, the ferocious lion, attacking a domesticated animal and forcing it to collapse. According to Vincenzo Rossi’s statement instead, … It presents a dramatic scene of a courier riding a dromedary—a one-humped camel—engaged in bloody conflict with two lions. This is one of at least 17 works Stubbs made of a lion stalking and attacking a horse. The prototype was a fragmentary marble group now in the garden of the Palazzo dei Conservatori in Rome, which was restored in 1594 by Ruggiero Bescap with the horse's head bowed forward in surrender. Art & Auction 16 (March 1994), pp. "Works of Art Sales: Giambolognas Give Christie's a Small Edge." Malcolm Warner et al., Great British paintings from American collections: Holbein to Hockney, exh. 6, fig. (Los Angeles: J. Paul Getty Museum, 2015), pp. Times (September 17, 1993), p. 16. J. Paul Getty Museum Calendar (winter 1994-95), unpaginated. 94.SB.11.1. The J. Paul Getty Museum Handbook of the Collections. Checkland, S. J. A Lion Attacking a Horse. (New Haven: Yale Center for British Art, 1995). Lion Attacking a Horse was moved to various places on the Capitoline until it was eventually installed in the center of a fountain in the Caffarelli Garden in 1925. Artwork page for ‘Horse Devoured by a Lion’, George Stubbs, ?exhibited 1763 on display at Tate Britain. Isolated detail of ancient sculpture depicting lion attacking a horse. Lion attacking horse is based on a Hellenistic marble which had been discovered in Rome by 1347; only the torso of the horse and the upper body of the lion remained and it was not until 1594 that Ruggiero Bescapè, a Milanese sculptor, restored the missing limbs … 19. New Haven, Connecticut. The content on this page is available according to the International Image Interoperability Framework (IIIF) specifications. G.T. Sized as a paperweight for the desk or perfect for shelf nestled amongst leather books for the library. The result is a forceful depiction which is perhaps his most successful treatment of the theme. Fusco, Peter, Peggy Anne Fogelman, and Marietta Cambareri. Images and other media are excluded. Malcolm Warner et al., Stubbs and the Horse, exh. As Fragment of Lost Grandeur. The giant marble, on loan through January 2013 as part of a new partnership between the Getty Museum and the civic museums of Rome, has long been an isnpiration to artists. In fact, two pendant groups - of a lion attacking a horse and a lion attacking a bull - exist in numerous casts. This 3½-ton piece, only a fragment of a once-larger work, provides a … cat. Independent (September 16, 1993), p. 4. The strength found in the lion, even with the additions to the piece, would have created a sense of national identity and unity among the Romans. Male sea lion attacking you. (New Haven, Conn.: Yale University Press, 2001). cat. Heirs of Sir Jacob Bouverie, 3rd Bart., 1694 - 1761, by descent through the family to Jacob Pleydell-Bouverie. Updates and additions stemming from research and imaging activities are ongoing, with new content added each week. All rights reserved. The massive sculpture of a Lion Attacking a Horse hasn't left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. 67, ill. Germain Bazin, Théodore Géricault: étude critique, documents et catalogue raisonné (Paris: Bibliothéque des arts, 1987–97), no. Open Content images tend to be large in file-size. 49, ill. Find more prominent pieces of sculpture at Wikiart.org – best visual art database. It has been on display at Carnegie Museums since 1899. Copyright © 2021 The Yale University Art Gallery. Charles Le Brun's Portrait of the Jabach Family." The J. Paul Getty Museum Handbook of the Collections. The artist delighted in the power of the animals, whose muscular contortions express their physical struggle and psychological anguish. Lion Attacking a Horse is based on a fragmentary antique statue now in the Palazzo dei Conservatori, Rome. Kunst und Antiquitäten, no. "A Grand Tableau. Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles: J. Paul Getty Museum, 1998), pp. It has been on display at Carnegie Museums since 1899. One is a fourth-century B.C. 96, 98, fig. In this enamel on copper piece, Stubbs cut off the corners to form an irregular octagon, thus tightening the composition. This information is published from the Museum's collection database. 1 July 1997, lot 73 (mentioned in passing). The lion would be trying to force his weight on the horse, to overpower it, while the horse would be scrambling to fight back and eventually escape. The famed equestrian artist – who lived between 1724 and 1806 – painted this scene 17 times over the course of three decades while working on his bread and butter jobs of painting his patron’s horses, dogs and families. 8th ed. Jacob Pleydell-Bouverie, 8th Earl of Radnor, British, 1927 - 2008 [sold, Christie's, London, December 7, 1993, lot 108, to Cyril Humphris.]. 61, fig. The main takeaway I took from this sculpture was the importance of empowering one’s people. The giant marble, on loan through January 2013 as part of a new partnership between the Getty Museum and the civic museums of Rome, has long been an inspiration to artists. cat. Nicholas H J Hall et al., Fearful symmetry: George Stubbs, painter of the English Enlightenment, exh. The present sculpture is a mirror image of Giambologna's composition, with a slight variation in the horse… 177-89, 360-63, no. This bronze is one of only two known casts bearing Susini's signature: "'ANT SVSINI FIORE. bronze showing a young boy plucking a thorn from … Details like the lion’s claws and teeth tearing into the horse’s hide, and the way the lion braces his left rear leg against the horse’s hindquarters, suggest a familiarity with live animals in combat. Charles Ray: two ghosts showcases “A Mountain Lion Attacking a Dog” and other works at both Matthew Marks Gallery’s. (Los Angeles: J. Paul Getty Museum, 2007), p. 218, ill. Allen, Denise, Andrea Bacchi, Joseph Baillio et al. (Philadelphia: Falcon Press, 1968). Animal subjects were extremely popular in the early 1600s and a genre for which the sculptor, Giambologna, was well known. Fogelman, Peggy, and Peter Fusco, with Marietta Cambareri. iv, 251, ill. Wolohojian, Stephan. The Metropolitan Museum of Art Bulletin v. 75, no. The final version shows the horse having sunk down to the ground.” Constance-Anne Parker, Mr Stubbs the Horse Painter. Help us improve our records by sharing your corrections or suggestions. The tabletop bronze of a lion attacking a horse exhibits a dramatic life-and-death struggle typical of the intense emotionalism of early Baroque sculpture. Constance-Anne Parker, Mr Stubbs the horse painter (London: J.A. You may view this object in Mirador – a IIIF-compatible viewer – by clicking on the IIIF icon below the main image, or by dragging the icon into an open IIIF viewer window. "Handel und Auktionen." A Lion Attacking A Horse isn’t a masterpiece and it’s not the greatest Stubbs. 22-23, ill. Fusco, Peter. The text on this page is licensed under a Creative Commons Attribution 4.0 International License, unless otherwise noted. Note: This electronic record was created from historic documentation that does not necessarily reflect the Yale University Art Gallery’s complete or current knowledge about the object. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002), pp. A white horse starts at the sight of the lion: to contemporaries of George Stubbs, this was the image most closely associated with him. The animated group, inspired by a monumental Greco-Roman marble and showing the lion ripping the flesh on the horse's back with the horse's head thrust back in … Connaissance des arts 511 (November 1994), p. 137, ill. (London: J.A. sculpture of a lion attacking a horse, the other is a first-century B.C. 48-49, 76, ill. Bassett, Jane, and Peggy Fogelman. 102, ill. Melikian, Souren. Representing a terrified stallion mauled by a savage feline, the marble sculpture is dated to the early Hellenistic period (late fourth century B.C. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), pp. This is the first time the sculpture has been on public display since 1925 and the first time it has left Rome in 2,000 years. ), when Greek sculptors began to produce naturalistic portrayals of intense emotion and physical exertion. Looking at European Sculpture: A Guide to Technical Terms (Los Angeles: J. Paul Getty Museum, 1997), p. 19. (New York: Hall & Knight (USA) Ltd, 2000), 70–73, no. The massive sculpture of a Lion Attacking a Horse hasn’t left Rome in over 2,000 years, but it feels right at home sitting in the Atrium of the Getty Villa. "Casting A Wider Net." "A Tale of Shrinking Supply." Lion Attacking a Horse in the atrium at the Getty Villa (Photo by Catherine Sezgin) Today the 4th century BC Greek statue, Lion Attacking a Horse, ended its nine-month exhibition in the atrium of the Getty Villa. Christie's, London. Depicting the figure of a fallen horse succumbing to the claws and fangs of a ferocious lion, the monumental group dates to the early … Statue of a lion attacking a horse at the Vatican Museum, Rome The tabletop bronze of a lion attacking a horse exhibits a dramatic life-and-death struggle typical of the intense emotionalism of early Baroque sculpture. 109. Oil on canvas. This image is available for download, without charge, under the Getty's Open Content Program. Sir Walter Gilbey, Life of George Stubbs, R.A. (London: Vinton & Co., 1898), xii, 10–11, 157, fig. Learn More. Giambologna, followed by the Susini workshops, adapted the original marble and produced bronzes of the same subject, often paired with a group of a lion attacking a bull. Jodidio, Philip. Throughout the late Middle Ages and the early Renaissance, the sculpture was a battered fragment consisted only of an equine torso and feline foreparts. 121, ill. Male sea lion seal coming to you to attack … 1111 Chapel Street (at York Street) Eye for the Sensual: Selections from the Resnick Collection (Stuttgart: Dr. Cantz’sche Druckerei, 2010), p. 177, under no. At least 17 works Stubbs made of a courier riding a dromedary—a one-humped camel—engaged in bloody conflict with lions!, exh piece of 19 th century French taxidermal Art Paul Getty Museum Journal (... Antique statue now in the early 1600s and a genre for which the,. Ill. 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